[av_layout_row border=” min_height_percent=” min_height_pc=’25’ min_height=’0′ color=’main_color’ mobile=’av-flex-cells’ av_element_hidden_in_editor=’0′ mobile_breaking=” av-desktop-hide=” av-medium-hide=” av-small-hide=” av-mini-hide=” av_uid=’av-nxbj’] [av_cell_one_full vertical_align=’top’ padding=’0px’ padding_sync=’true’ background=’bg_color’ background_color=” background_gradient_color1=” background_gradient_color2=” background_gradient_direction=’vertical’ src=” attachment=” attachment_size=” background_attachment=’scroll’ background_position=’top left’ background_repeat=’no-repeat’ link=” linktarget=” link_hover=” mobile_display=” av_uid=’av-k52dntqx’ custom_class=”] [av_image src=’http://bifed.org/wp-content/uploads/2020/02/bifed-banner-bozcaada1.jpg’ attachment=’2043′ attachment_size=’full’ align=’center’ styling=” hover=” link=” target=” caption=’yes’ font_size=” appearance=” overlay_opacity=’0.4′ overlay_color=” overlay_text_color=” copyright=” animation=’no-animation’ av_uid=’av-k52dlyiz’ id=” custom_class=” admin_preview_bg=”][/av_image] [/av_cell_one_full] [/av_layout_row] [av_layout_row border=” min_height_percent=” min_height_pc=’25’ min_height=’0′ color=’main_color’ mobile=’av-flex-cells’ av_element_hidden_in_editor=’0′ mobile_breaking=” av-desktop-hide=” av-medium-hide=” av-small-hide=” av-mini-hide=” av_uid=’av-9cgny’] [av_cell_one_full av_uid=’av-852bi’] [av_heading heading=’BIFED 2020 – FİNALİSTLER’ tag=’h1′ link_apply=” link=’manually,http://’ link_target=” style=’blockquote modern-quote modern-centered’ size=” subheading_active=” subheading_size=’15’ margin=” padding=’10’ color=” custom_font=” custom_class=” id=” admin_preview_bg=” av-desktop-hide=” av-medium-hide=” av-small-hide=” av-mini-hide=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=”][/av_heading] [av_hr class=’custom’ height=’50’ shadow=’no-shadow’ position=’center’ custom_border=’av-border-fat’ custom_width=’100px’ custom_border_color=’#006337′ custom_margin_top=’2px’ custom_margin_bottom=’30px’ icon_select=’no’ custom_icon_color=” icon=’ue808′ font=’entypo-fontello’ av_uid=’av-k529qqwx’ id=” custom_class=” admin_preview_bg=”] [av_textblock size=” font_color=” color=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” av_uid=’av-k52a1u2t’ id=” custom_class=” admin_preview_bg=”] Ana Yarışma Aether, Rûken Tekeş, Türkiye / İtalya, 81’, 2019 Amussu, Nadir Bouhmouch, Fas / Katar Devleti, 99’, 2019 Artifishal, Josh Murphy, ABD, 75’, 2019 Daima Yavaş Yeşil, Christoph Pohl, Hindistan, 56’, 2019 Yeşil Kan, Arthur Bouvart & Jules Giraudat & Alexis Marant, Fransa, 90’, 2019 Tasa, Andrea Culková, Çek Cumhuriyeti,  92’, 2020 Kuzey Ormanları, Julia Lazarus, Türkiye / Almanya, 73’, 2020 Tutku – İsyan ve Teslimiyet Arasında, Christian Labhart, İsviçre, 80’, 2019 Kaşık, Laila Pakalnina, Letonya / Norveç / Litvanya,66’, 2019 Atom: Bir Aşk Macerası, Vicki Lesley, Birleşik Krallık, 90’, 2019 Günler ve Yıl, Othmar Schmiderer, Avusturya,  87’, 2018 Ateş, Katharina Weingartner, Avusturya / Almanya, 99’, 2019 Kırmızı Çizgi – Hambach Ormanı’nda Direniş, Karin de Miguel Wessendorf, Almanya, 115’, 2019 Titixe, Tania Hernández Velasco, Meksika, 63’, 2018 DSÖ’yeGüven, Lilian Franck, Almanya / Avusturya, 85’, 2017 – Panorama Mercan Kadın, Priya Thuvassery, Hindistan, 52’, 2019 Faire-part, Anne Reijniers, Paul Shemisi, Rob Jacobs & Nizar Saleh, Belçika / Kongo Cum., 58’, 2019 Amazon’u Otlatmak, Marcio Isensee e Sá, Brezilya, 49’, 2018 Yeşil Altın?, Nicky Milne, Şili / ABD, 26′, 2019 Özodunu, Stefano Petroni, Brezilya / İtalya / Kolombiya / Meksika, 62’, 2020 Evde Yetişen, Barend Hazeleger, Belçika / Hollanda, 53’, 2019 Kuzey, Leslie Lagier, Fransa, 48’, 2019 Çağırdığım Ruhlar, Chiara Sambuchi, Almanya / İtalya, 60’, 2019 Çernobil’i İzlemek: Kıyametin Ardından Keşif, Iara Lee, Ukrayna / ABD / Bulgaristan / Slovakya, 58’, 2020 Şarap, Dünya ve Biz, Antonio Lobo Daza, İspanya, 93’, 2019 Güneş Ölene Dek, Claudio Carbone, Portekiz, 75’, 2019 Duvarlarla Çevrili Yurttaş, Sameer Qumsiyeh, Filistin, 79’, 2019 Peki Ya Geleceğimiz, Cláudio Cruz & Jaime Leigh Gianopoulos, Kanada, 24′, 2020 – Türkiye Panorama Efe Dayı, Harun Akça, Türkiye, 19’, 2019 Ege’nin Son Baharı, Onur Erkin, Türkiye, 23’, 2019 İda’nın Bekçileri, Tolga Barman, Türkiye, 23’, 2019 Kanalı Beklerken, Yasin Serindere, Türkiye, 36’, 2020 Jeotermal Yetti Gari, Murat Yüksel, Türkiye, 20’, 2020 Rant Uğruna, Nejla Osseiran, Türkiye, 6’, 2020 Beyaz Altın, Ali Cem Şimşek, Türkiye, 9’, 2020 Çan: Bir Termik Kasabası, Mert Harmandar, Türkiye, 17’, 2020 Sınırların Ötesinde, Eylem Şen, Türkiye, 33’, 2019 Roma Bostanı, Nesime Karateke, Türkiye, 26’, 2020 Anadolu’nun Meşe Ormanları, Doğa Derneği, Türkiye, 19’, 2020   [/av_textblock] [/av_cell_one_full][/av_layout_row]